{"id":604,"date":"2023-01-12T13:00:50","date_gmt":"2023-01-12T12:00:50","guid":{"rendered":"https:\/\/festival-gerardmer.com\/2023\/?page_id=604"},"modified":"2023-01-12T16:12:07","modified_gmt":"2023-01-12T15:12:07","slug":"seance-speciale","status":"publish","type":"page","link":"https:\/\/festival-gerardmer.com\/2023\/seance-speciale\/","title":{"rendered":"S\u00e9ance sp\u00e9ciale"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb53″ constrain_group_1=\u00a0\u00bbyes\u00a0\u00bb bottom_padding=\u00a0\u00bb53″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbzoom-out-slow\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbS\u00e9ance sp\u00e9ciale\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:80|text_align:center|color:%23dd0000|line_height:80px\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1673525341472{padding-bottom: 150px !important;}\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbfrenchsmall\u00a0\u00bb]\"\"Depuis de nombreuses ann\u00e9es, la Cin\u00e9math\u00e8que fran\u00e7aise est un partenaire fid\u00e8le du Festival du film fantastique de G\u00e9rardmer. Elle organise notamment depuis 2018 une reprise des films pr\u00e9sent\u00e9s en comp\u00e9tition lors du festival. Cette derni\u00e8re aura lieu du 1er au 5 f\u00e9vrier prochain.<\/p>\n

Cette ann\u00e9e, dans le cadre de la r\u00e9trospective Larry Cohen, organis\u00e9e par l\u2019institution du 18 janvier au 12 f\u00e9vrier, le festival propose une s\u00e9ance sp\u00e9ciale de son long m\u00e9trage Meurtres sous contr\u00f4le, r\u00e9alis\u00e9 en 1976. Cette projection unique sera pr\u00e9sent\u00e9e par Jean-Fran\u00e7ois Rauger, directeur de la programmation de la Cin\u00e9math\u00e8que fran\u00e7aise.<\/p>\n

Auteur et sc\u00e9nariste de renom pour la t\u00e9l\u00e9vision puis le cin\u00e9ma, Larry Cohen r\u00e9alise des films d’horreur all\u00e9goriques qui interrogent la figure et la place du monstre dans la soci\u00e9t\u00e9. Ce ma\u00eetre du retournement commence comme sc\u00e9nariste, imaginant notamment le concept des Envahisseurs, parabole antimaccarthyste, monument parano\u00efaque du petit \u00e9cran. Il passe \u00e0 la r\u00e9alisation en 1972 avec\u00a0Bone, o\u00f9 un Noir s’immisce dans une maison cossue de Blancs et prend en otage l’\u00e9pouse, inversant ainsi les rapports de force de la soci\u00e9t\u00e9. Le Monstre est vivant\u00a0(1974), \u0153uvre sans pr\u00e9c\u00e9dent dans le cin\u00e9ma de science-fiction, devient culte. Larry Cohen touche aussi \u00e0 l’horreur m\u00e9taphysique dans\u00a0Meurtres sous contr\u00f4le\u00a0(1976), o\u00f9 un policier catholique doit r\u00e9soudre une s\u00e9rie de meurtres dont chaque auteur avoue agir sous l’ordre de Dieu. Les ann\u00e9es 80 sont hant\u00e9es par les loups-garous (Full Moon High, 1981\u00a0et\u00a0\u00c9pouvante sur New York, 1982). \u00c0 la crois\u00e9e des genres, ses films pervertissent les relations \u00e9tablies (Ma Belle-m\u00e8re est une sorci\u00e8re, 1989 et L\u2019Ambulance, 1990). Larry Cohen \u00e9crit et produit \u00e9galement la franchise Maniac Cop\u00a0de William Lustig et sc\u00e9narise le\u00a0Phone Game\u00a0de Joel Schumacher (2002). Si son refus du compromis l\u2019a toujours contraint \u00e0 jongler souvent avec de maigres budgets, son travail d\u2019artisan acharn\u00e9 a profond\u00e9ment marqu\u00e9 l\u2019inconscient collectif et influence encore toute la pop culture audiovisuelle am\u00e9ricaine.<\/p>\n

For many years, the Cin\u00e9math\u00e8que fran\u00e7aise has been a loyal partner of the G\u00e9rardmer International Fantastic Film Festival. In particular, she holds since 2018 a re-run of all the films selected in competition at the festival. This event will hold from February 1st to 5th.<\/em><\/span>
\nThis year, in the context of the Larry Cohen retrospective organized by the institution from January 18th to February 12th, the Festival offers a special screening of the feature film God Told Me To, released in 1976. This screening will be presented by Jean-Fran\u00e7ois Rauger, Director of Programming for the Cin\u00e9math\u00e8que fran\u00e7aise.<\/em><\/span><\/p>\n

A renowned author and screenwriter for television then film, Larry Cohen directs allegorical horror movies that question the role and aspect of the monster in society. This master of reversal started as a screenwriter, notably imagining the concept for The Invaders, an anti-McCarthyite parable and paranoid legend of the small screen. He transitioned into directing with 1972\u2019s Bone, in which a Black man infiltrates a tony white household and takes the wife hostage, thereby inverting society\u2019s power relations. It\u2019s Alive (1974), an unprecedented work of sci-fi cinema, became a cult classic. Larry Cohen also touched on metaphysical horror in God Told Me To (1976), in which a Catholic police officer must solve a series of murders committed by those claiming to be acting under orders from God. The 1980s were haunted by werewolves (1981\u2019s Full Moon High, 1982\u2019s Q: The Winged Serpent). Mixing genres, his films pervert established relationships (1989\u2019s Wicked Stepmother, 1990\u2019s The Ambulance). Larry Cohen also wrote and produced William Lustig\u2019s Maniac Cop franchise and wrote Joel Schumacher\u2019s Phone Booth (2002). While his refusal to compromise has often constrained him to meager budgets, his passionate craftsmanship has deeply marked the collective unconscious and continues to influence American audiovisual pop culture.<\/em><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb53″ constrain_group_1=\u00a0\u00bbyes\u00a0\u00bb bottom_padding=\u00a0\u00bb53″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbzoom-out-slow\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][heading]\n

Meurtres sous contr\u00f4le<\/h1>\n[\/heading][heading]\n

God Told Me To<\/h4>\n[\/heading][vc_column_text el_class=\u00a0\u00bbfrench\u00a0\u00bb]Le lieutenant Nicholas enqu\u00eate sur une s\u00e9rie de meurtres commis \u00e0 New York par des citoyens ordinaires. Le seul point commun entre les assassins\u00a0: tous pr\u00e9tendent avoir agi selon la volont\u00e9 de Dieu.[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbenglish\u00a0\u00bb]Detective Nicholas investigates a series of murders committed in New York by ordinary citizens who claim that \u201cGod told them to\u201d.<\/span><\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb36″ constrain_group_1=\u00a0\u00bbyes\u00a0\u00bb bottom_padding=\u00a0\u00bb36″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb 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R\u00e9alisateur | Director<\/h4>\n[\/nectar_highlighted_text][vc_column_text el_class=\u00a0\u00bbauteur\u00a0\u00bb]\n

Larry Cohen<\/h2>\n[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbfrench\u00a0\u00bb]N\u00e9 le 15 juillet 1936 \u00e0 New York, Larry Cohen d\u00e9c\u00e8de le 23 mars 2019 \u00e0 Los Angeles.[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbenglish\u00a0\u00bb]Born on July 15th, 1936 in New York, Larry Cohen died on March 23rd, 2019 in Los Angeles.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb7%\u00a0\u00bb bottom_padding=\u00a0\u00bb7%\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb2\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb accordion=\u00a0\u00bbtrue\u00a0\u00bb accordion_starting_functionality=\u00a0\u00bbdefault\u00a0\u00bb][toggle color=\u00a0\u00bbAccent-Color\u00a0\u00bb heading_tag=\u00a0\u00bbh3″ heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbFilmographie\u00a0\u00bb][vc_column_text]1996 Original Gangstas 1990 L\u2019Ambulance<\/strong> The Ambulance 1989 Ma Belle-m\u00e8re est une sorci\u00e8re<\/strong> Wicked Stepmother 1987 Les Enfants de Salem<\/strong> A Return to Salem\u2019s Lot 1987 Homicide \u00e0 Wall Street <\/strong>Deadly Illusion 1987 La Vengeance des monstres<\/strong> It\u2019s Alive III: Island of the Alive 1985 The Stuff 1984 Special Effects 1984 L\u2019Impasse sanglante<\/strong> Perfect Strangers 1982 \u00c9pouvante sur New York Q 1981 Full Moon High 1979 Les Monstres sont toujours vivants <\/strong>It Lives Again 1977 The Private Files of J. Edgar Hoover 1976\u00a0Meurtres sous contr\u00f4le<\/strong> God Told Me To 1974 Le Monstre est vivant<\/strong> It\u2019s Alive 1973 Casse sans la ville<\/strong> Hell Up in Harlem 1973 Black Caesar 1972 Bone<\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbAccent-Color\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbInformations techniques\u00a0\u00bb][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]\n
\n
\n
R\u00e9alisateur | Director<\/h5>\n

Larry Cohen<\/p>\n<\/div>\n<\/div>\n

\n
\n
Production<\/h5>\n

Larry Cohen<\/p>\n<\/div>\n<\/div>\n

\n
\n
Sc\u00e9nario | Script<\/h5>\n

Larry Cohen<\/p>\n<\/div>\n<\/div>\n

\n
\n
Image | Cinematography<\/h5>\n

Paul Glickman<\/p>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]\n

\n
\n
Montage |\u00a0Editing<\/h5>\n

Mike Corey, Arthur Mandelberg & William J. Waters<\/p>\n<\/div>\n<\/div>\n

\n
\n
Musique\u00a0|\u00a0Music<\/h5>\n

Frank Cordell<\/p>\n<\/div>\n<\/div>\n

\n
\n
Interpr\u00e9tation\u00a0| Cast<\/h5>\n

Tony Lo Bianco, Deborah Raffin, Sandy Dennis, Sylvia Sidney, Sam Levine<\/p>\n<\/div>\n<\/div>\n

\n
\n
\u00c9tats-Unis USA<\/h5>\n

1976\u00a0|\u00a01h31
\nEn anglais sous-titr\u00e9 en fran\u00e7ais\u00a0| In English with French subtitles<\/p>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/toggle][toggle color=\u00a0\u00bbAccent-Color\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbVentes et distribution\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1673536016479{margin-bottom: 40px !important;}\u00a0\u00bb]Distribution
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