SYNOPSIS
No pitu. No remorse. Simon is a killer. Unfit
to stand trial. He has been locked away for five years, watched by the sinister Docteur
Marlowe. Enter Karen, an enthusiastic but formidably intelligent psychologist. She will
interview Simon - who wants to prove that he is cured. He seems sane. Seemingly incapable
of ferocious acts of violence.
He tells her of a terrifying force within him, which drives him to destroy those around
him. He says this force has gone. Karen listens to his story. At first she trusts him,
even believes him. But then her trust gives way to scepticism. His confession is replaced
by deception.
The interview unleashes demons from Simons strange internal world - threatening
Karens previously stable sense of reality. She wants the truth. But she finds that
truth can be the most terrifying thing of all.
SCOTT REYNOLDS ANS HIS FIRST FEATURE - THE UGLY
Scott Reynolds, writer and director of THE UGLY,
was born in Auckland, New Zealand, in 1968. His parents both worked at the Hollywood
Cinema in suburban
Auckland, where one of his earliest memories is that the watched a double bill of THE
INCREDIBLE SHRINKING MAN and A FISTFUL OF DOLLARD, an experience which began his obsession
with the film world.
As a teenager he started work as a projectionist at the Hollywood, and for ten years this
was how he studied filmmaking. He cites his principal influences as Kubrick, Scorsese,
Raimi ans Hitchcock. Scott Reynolds first feature, THE UGLY, is a suspense thriller
which was filmed in Auckland, ans was completed in December 1996. It owes much to
Hitchcock ans Sam Raimi.
" I love to be scared, i love to terrifying
sequences and edge of your seat syspense " says Scott Reynold. " To sum it up,
il love film - plain and simple. I was a film-fan before i was a film-maker. I have sat in
audiences where we all shivered and screamed, so the
major reason why i wanted to make this film is so that i can in an audience where i make
the audience shiver and scream ". |
THE
PEOPLE WHO CREATED THE UGLY
The Ugly was born out of a creative
partnership between producer Jonathan Dowling and director Scott Reynolds, when Reynolds
first started to link about
making films.
The two collaborated to get Reynoldsfirst short film THE MINUTE off the ground, and
the collaboration continued with the acclaimed A GAME WITH NO RULES.
Other key collaborations from that second short film have also played important roles in
the realisation of THE UGLY, notably director of photography Simon
Raby, production designer Grant Major and editor Wayne Cook. Working to a demanding
five-week shooting schedule, the cast and crew worked together to make a film that relies
on Reynoldsfast and energetic shooting style.
" I came up with the idea first of a guy who looks in the mirror and sees himself as
deformed, even though he really isnt " says Reynolds. " I thought Serial
Killer - this guy is sick and he talks about the hideous crimes which he has done. I
wanted something where when he spoke about his past he could somehow relive it "
" I also chose to mix the present with flashbacks. While Simon is in the flashbacks,
people from the present may also pop up in the past. This is something which can work
really well on film. People are loathe to use flasbacks and all that sort of stuff. But, i
think its important to take risks ans not be afraid "
" With THE UGLY i have taken a lot of risks. " |